Showing posts with label Cinema. Show all posts
Showing posts with label Cinema. Show all posts

Monday, November 5, 2007

Mae West (1893-1980)


I believe in censorship. I made a fortune out of it.

I enjoyed the courtroom as just another stage but not so amusing as Broadway.

I never loved another person the way I loved myself.

I only like two kinds of men, domestic and imported.

I used to be Snow White, but I drifted.

I've been in more laps than a napkin.

Those who are easily shocked should be shocked more often.

To err is human, but it feels divine.

When choosing between two evils, I always like to try the one I've never tried before.

You only live once, but if you do it right, once is enough.

Whenever I'm caught between two evils, I take the one I've never tried.


Books from Alibris: Mae West

Orson Welles (1915-1985)


I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.

Books from Alibris: Orson Welles

Sunday, November 4, 2007

Andrzej Wajda (1926-)


Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena.

Books from Alibris: Andrzej Wajda

Thursday, November 1, 2007

Luchino Visconti (1906-1976)


I took a round trip around Hollywood because I think it frightened me. I didn't want to get burned in that glare.

Books from Alibris: Luchino Visconti

Jean Vigo (1905-1934)



Jean Vigo was the son of anarchist militant Miguel Almareyda and he also never really recovered from his father's mysterious death in jail when he was 12.

Abandoned by his mother, he was shuffled from boarding school to boarding school. Aged 23, through meetings with people involved in the movies, he began working in the cinema; he then bought a film camera and shot his first film, a short documentary, A propos de Nice (1930) and then, two years later, Taris champion de natation.

These two very personal works frightened producers and it was two years before someone showed some interest in his project of a children's movie. This would be his masterpiece, Zero de conduite (1933), a subversive despiction of an authoritarian boarding school, which directly comes from Vigo's memories and experience. The film was straight away censored for its "anti-french spirit". In despair, he nevertheless shoots L'Atalante, a romantic and realistic story of a young couple beginning their life together on a barge. His work would not be recognized before 1945. This much misuderstood film-maker is now admired today for his poetic realism.
[Adapted from IMDb]

Books from Alibris: Jean Vigo

Wednesday, October 31, 2007

Dziga Vertov (1896-1954)


My road is towards the creation of a fresh perception of the world. Thus I decipher in a new way the world unknown to you.

Books from Alibris: Dziga Vertov

Monday, October 29, 2007

Francois Truffaut (1932-)


When humor can be made to alternate with melancholy, one has a success, but when the same things are funny and melancholic at the same time, it's just wonderful.

Books from Alibris: Francois Truffaut

Margarethe von Trotta (1942-)


[Von Trotta] must now be counted among major directors…Her work is of special interest because it is a woman-centred and woman-affirming cinema of a kind still a rarity - women looked at with intensity and love by the woman behind the camera, by one another on the screen, and by women like oneself in the audience…[It] is a major development in the experience of women in film. - Barbara Koenig Quart, Women Directors: The Emergence of a New Cinema, New York, Praeger, 1988, p. 93

Books from Alibris: Margarethe von Trotta

Friday, October 26, 2007

Jacques Tati (1908-1982)


There were no stars in the film, or rather, the set was the star, at least at the beginning of the film. So I opted for the buildings, facades that were modern but of high quality because it’s not my business to criticise modern architecture. - comment on Tati's creation of "Tativille," the instant city and film set built for his now legendary film "Playtime."

Books from Alibris: Jacques Tati

Andrei Tarkovsky (1932-1986)


Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.

Books from Alibris: Andrei Tarkovsky

Friday, October 19, 2007

Vittorio de Sica (1901-1974)


Moral indignation in most cases is, 2% moral, 48% indignation, and 50% envy.

Books from Alibris: Vittorio de Sica

Tuesday, October 16, 2007

Ousmane Sembene (1923-)


L'Afrique ne se développera pas sans la participation concrète de la femme. La conception que nos pères avaient de la femme doit être enterrée une fois pour toutes. [The development of Africa will not happen without the effective participation of women. Our forefathers' image of women must be buried once for all.]

Books from Alibris: Ousmane Sembene

Friday, October 12, 2007

Carlos Saura (1932-)


Spanish director, writer, producer (2 films) and actor (2 films). His interest on cinema started when he was very young. His mother, who was a pianist, instilled in him the liking for music, and his brother, Antonio, who was a painter, the passion for art. When he was an teenager he started to practice photography, and in 1950 he made his first illustrated feature films with a 16 mm camera. Carlos Saura is an excellent photographer, an activity that he shares in a sporadic way with the making of films. - Malaspina Biography

Books from Alibris: Carlos Saura

Wednesday, October 10, 2007

Camille Saint-Saens (1835-1921)


There is nothing more difficult than talking about music.

Sheet music: Camille Saint-Saens

Tuesday, October 9, 2007

Roberto Rossellini (1906-1977)


I am not a pessimist; to perceive evil where it exists is, in my opinion, a form of optimism.

Books from Alibris: Roberto Rossellini

Francesco Rosi (1922-)


Italian director. Rosi made several important political films during the 1960s. His first major film was The Challenge (1958) followed by Salvatore Guiliano, a controversial production about mafia influence on the government. His other films during this era include: Hands Over the City (1963), and The Moment of Truth (1965). - Malaspina Biography

Books from Alibris: Francesco Rosi

Eric Rohmer (1920-)


You can't think of nothing.

Books from Alibris: Eric Rohmer

Monday, October 8, 2007

Glauber Rocha (1938-1981)


This film is both a portrait of Brazil and of myself. - from an interview about his final film "A Idade da Terra," shortly before his sudden death at 42 in 1981

Books from Alibris: Glauber Rocha

Friday, October 5, 2007

Alain Resnais (1922-)


I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films.

Books from Alibris: Alain Resnais

Jean Renoir (1894-1979)


A director makes only one movie in his life. Then he breaks it into pieces and makes it again.

Books from Alibris: Jean Renoir