Sunday, August 19, 2007

Francesco Geminiani (1687-1762)

Sierra Club

Quotation

Men of purblind Understandings, and half Ideas may perhaps ask, is it possible to give Meaning and Expression to Wood and Wire; or to bestow upon them the Power of raising and soothing the Passions of rational Beings? But whenever I hear such a Questions put, whether for the Sake of Information , or to convey Ridicule, I shall make no Difficulty to answer in the affirmative. - A treatise of good taste in the art of music (1749)

Books

Please browse our Amazon list of titles about Francesco Geminiani. For rare and hard to find works we recommend our Alibris list of titles about Francesco Geminiani.

AlibrisResearch

Sheet music: Francesco Geminiani
Recordings: Francesco Geminiani
COPAC UK: Francesco Geminiani
Library of Canada: Francesco Geminiani
Library of Congress: Francesco Geminiani
Other Library Catalogs: Francesco Geminiani

Biographical

Italian violinist, was born at Lucca about 1680. He received lessons in music from Alessandro Scarlatti, and studied the violin under Lunati (Gobbo) and afterwards under Corelli. In 1714 he arrived in London, where he was taken under the special protection of the earl of Essex, and made a living by teaching and writing music. In 1715 he played his violin concertos with Handel at the English court.

After visiting Paris and residing there for some time, he returned to England in 1755. In 1761 he went to Dublin, where a servant robbed him of a musical manuscript on which he had bestowed much time and labour. His vexation at this loss is said to have hastened his death on the 17th of September 1762. He appears to have been a first-rate violinist, but most of his compositions are dry and deficient in melody. His Art of Playing the Violin is a good work of its kind. He published a number of solos for the violin, three sets of violin concertos, twelve violintrios, The Art of Accompaniment on the Harpsichord, Organ, &c., Lessons for the Harpsichord and some other works. [Adapted from Encyclopedia Britannica (1911)]

No comments: